Posts Tagged ‘music’

Tere Bina Lagata Nahi Mera Jiya – Hindi Lyrics Song

KAL KISSNE DEKHA Movie Songs Lyrics
Tere Bina Lagata Nahi Mera Jiya Lyrics Hindi Song Title: Tere Bina Lagata Nahi Mera Jiya : KAL KISSNE DEKHA
Singer(s): WAJID
Cast(s): JACKKY BHAGNANI , VAISHALI DESAI , ARCHANA PURAN SINGH

Hindi Lyrics:

(Tere Bina) – 2
(Tere Bina, Tere Bina Lagata Nahi Mera Jiya
Abb Tere Siwa Chale Meri Saansein Na Re Na) – 2
(Mere Hamsafar Phiru Darbadar )- 2
Shaamo Seher Dhoonde Tujhko Najar
(Tere Bina, Tere Bina Lagata Nahi Mera Jiya
Abb Tere Siwa Chale Meri Saansein Na Re Na) – 2

(Tere Bina) – 2
(Ek Pal Ki Bhi Judaayi Abb Sahi Jaati Nahi
Marna Jo Chaahu Agar Toh Maut Bhi Aati Nahi) – 2
Har Dua Meri Lagati Besar
Shaamo Seher Dhoonde Tujhko Najar
(Tere Bina, Tere Bina Lagata Nahi Mera Jiya
Abb Tere Siwa Chale Meri Saansein Na Re Na) – 2

(Tere Bina) – 2
(Na Tamanna Mujhako Teri, Na Tere Sansaar Ki
Ai Khuda Dikhlaade Mujhko Ek Jhalak Mere Yaar Ki) – 2
Iss Jameen Par Aasmaan Par
Shaamo Seher Dhundhein Tujhako Najar
(Tere Bina, Tere Bina Lagata Nahi Mera Jiya
Abb Tere Siwa Chale Meri Saansein Na Re Na) – 2

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Utha Le Ya Phenk De Lyrics Hindi Song – DIL KABADDI

DIL KABADDI Movie Songs Lyrics

Utha Le Ya Phenk De Lyrics Hindi Song

Title: Utha Le Ya Phenk De : DIL KABADDI Singer(s): JASPREET SINGH,ADITYA JASSI Cast(s): RAHUL BOSE , IRFAN KHAN , RAHUL KHANNA , KONKONA SEN SHARMA , SOHA ALI KHAN , PAYAL ROHATGI

Hindi Lyrics:
It’ S Not My False, I Need My Space
Bedroom Mein Sote Nahi, Face To Face
Commitment Ka Kya Matlab Hain, Saath Saath Sona
Saath Baith T.V Dekhna, Same Vo Rona Dhona
Kitna Kuch Hain Karne Ko, Give Me A Break Give Me A Break
Relationship Is Like A Narrow Break, (Leave It Or Take It) – 2

Live In Long Time, Back See Wao Wao
Kitchen Mein Shower Mein, Everything Now Now
Par Ab To Time Nahi Hain, Pressure Hain Dabaao Dabaao..
(Uthale Ya Phenk De, Lele Ya Chhod De) – 6
(O Laa O Laae, Uthale Ya Phenk De, Lele Ya Chhod De) – 2

Naa My Life Is A Missed Call, Tere Mere Beech Mein Hain China Ki Wall
Ab To Neighbour Ka Husband Bhi, Achchha Lagta Hain
Freind Ki Wife Ka Kutta Bhi, Beautiful Lagta Hain
Duniyaa Bhar Mein Sab Kude, I Wanna Job You Wanna Job
Hawwa Ka Hot Is Gubbar Mein, I Wanna A Bomb You Wanna Bomb
Pehle To Home Science Ki Kami Hain Wao Wao
Meri Inch Bhi Hain Jyada , To Ghataao
Kaisa Hain Confusion , Bachaao Bachaao Bachaao..
(Uthale Ya Phenk De , Lele Ya Chhod De) – 10
(O Laa O Laae, Uthale Ya Phenk De, Lele Ya Chhod De) – 2

Tu sala – GOLMAAL RETURNS

Tu Saala Lyrics
Hindi Song Title: Tu Saala : GOLMAAL RETURNS
Singer(s): ANUSHKA MANCHANDA
Cast(s): AJAY DEVGAN , TUSSHAR KAPOOR , ARSHAD WARSI , SHREYAS TALPADE , KAREENA KAPOOR , ANJANA SUKHANI , AMRITA ARORA AND CELINA JAITLEY

Mein Tujhse Pyaar Kiya Hai, Tu Hai Meri Jaan
Meri Har Dhadkan Kehti Hai, Mein Tujhpe Qurbaan

Mein Tujhse Pyaar Kiya Hai, Tu Hai Meri Jaan
Meri Har Dhadkan Kehti Hai, Mein Tujhpe Qurbaan
Tera Zara Sa Bhi Dhola Jo Imaan, Tu Saala Kaam Se Gaya, Hhaa
Huwa Tera Kaam Tamaam, Tu Saala Kaam Se Gaya
Tera Dil Jo Huwa Beimaan, Tu Saala, Tu Saala, Tu Saala Kaam Se Gaya

Teri Nazaron Pe Jane Ja Meri Nazar Hai
Teri Sari Harkaton Ki Mujhko Khabar Hai
Ha Haann.. Ha Haaann
Aare Mastiyon Mein Dooba Hai, Tujhe Nahin Phikar Hai
Aaja Aaja Hosh Mein Aaja, Tu Pagal Naadaan
Tera Zara Sa Bhi Dhola Jo Imaan, Tu Saala Kaam Se Gaya
Haii, Huwa Tera Kaam Tamaam, Tu Saala Kaam Se Gaya
Tera Dil Jo Huwa Beimaan, Tu Saala.. Kaam Se Gaya

(Baby You Should Have No Doubt
I Don’t Like To Freak You Out
But His Love Thing No Piece Of Cake
Make Sure You Make No Mistake) – 2

Aisi Waisi Galion Se Kabhi Na Guzarna
Kisi Bewafa Ke Chehare Pe Mat Marna
No No No No No
Mujhse Kabhi Bhi Bewafai Mat Karna
Sach Kehati Hun Janu Rehana Sawadaan
Tera Zara Sa Bhi Dhola Jo Imaan, Tu Saala Kaam Se Gaya, Haii
Huwa Tera Kaam Tamaam, Tu Saala Kaam Se Gaya
Tera Dil Jo Huwa Beimaan, Tu Saala.. Kaam Se Gaya

Mein Tujhse Pyaar Kiya Hai, Tu Hai Meri Jaan
Meri Har Dhadkan Kehti Hai, Mein Tujhpe Qurbaan
Tera Zara Sa Bhi Zara Sa Bhi, Zara Sa Bhi Dhola Jo Imaan
Tu Saala Kaam Se Gaya, Hhaa
Huwa Tera Kaam Tamaam, Tu Saala Kaam Se Gaya
Jo Na Bachke Raha Meri Jaan, Tu Saala Kaam Se Gaya

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Music of the North India

The raga and tala are realized within distinctive musical forms. Although a number of these are prevalent in both north and south India, the major types of each region have certain traits in common. The northern classical music (Hindustani music) usually opens with a prelude, the alap. Here only the soloist and the drone instrument are heard; the drum is silent, and the rhythm is free (there is no tala). The purpose of the alap is to explore the essential features of the raga–the important tones and the characteristic phrases–and to establish the appropriate mood. After the alap a short song is sung or played, and here the drum enters for the first time with the tala. The rest of the performance varies, depending on which formal type is being employed. But usually a great deal of improvisation is interspersed with recurring material from the song. The speed gradually increases, often leading to a rousing, extremely quick conclusion. In the north the chief melody instruments are the sitar, a stringed instrument with a body usually made of a gourd split approximately in half, a fingerboard about 1 m (3 ft) long, and seven main strings; the sarod, a stringed instrument about 1 m (3 ft) long, made of wood, with a metal fingerboard and six main strings; the shahnai, a double-reed wind instrument about 0.6 m (2 ft) long with seven finger holes; and the sarangi, a bowed stringed instrument used both for solo playing and for accompanying vocal music. The most common drum in the north is the tabla, which is actually two small drums, each having a single head (membrane).

Music Of India

Information Of Indian Music

The music of India includes multiple varieties of folk, popular, pop, and classical music. India’s classical music tradition, including Carnatic and Hindustani music, has a history spanning millennia and, developed over several eras, remains fundamental to the lives of Indians today as sources of religious inspiration, cultural expression and pure entertainment. India is made up of several dozen ethnic groups, speaking their own languages and dialects, having very distinct cultural traditions.

Classical music :
The two main traditions of classical music have been Carnatic music, found predominantly in the peninsular regions and Hindustani music, found in the northern and central parts. While both traditions claim Vedic origin, history indicates that the two traditions diverged from a common musical root since c. 13th century.

Hindustani music :
Hindustani music is an Indian classical music tradition that took shape in northern India circa the 13th and 14th centuries AD from existing religious, folk, and theatrical performance practices. The practice of singing based on notes was popular even from the Vedic times where the hymns in Sama Veda, a sacred text, was sung as Samagana and not chanted. Developing a strong and diverse tradition over several centuries, it has contemporary traditions established primarily in India but also in Pakistan and Bangladesh. In contrast to Carnatic music, the other main Indian classical music tradition originating from the South, Hindustani music was not only influenced by ancient Hindu musical traditions, Vedic philosophy and native Indian sounds but also by the Persian performance practices of the Mughals.

Dandiya :
Dandiya is a form of dance-oriented folk music that has also been adapted for pop music worldwide. The present musical style is derived from the traditional musical accompaniment to the folk dance of Dandiya called by the same name, dandiya. (DANDIYA means small sticks and are used in place of swords to train and practice martial art in form of dance by tribal in interior Gujarat in India. it is believed to be in practice since the days when Lord Krishna migrated from Mathura to Dwaraka.)

Bhangra :
Bhangra is a form of dance-oriented folk music that has become a pop sensation in the United Kingdom and North America. The present musical style is derived from the traditional musical accompaniment to the folk dance of Punjab called by the same name, bhangra.

Pop Music :
The biggest form of Indian pop music is filmi, or songs from Indian musical films. The Film industry of India supported music by according reverence to classical music while utilizing the western orchestration to support Indian melodies. Music composers like C. Ramchandra, Salil Chowdhary, S.D. Burman, Vasant Desai, Shankar Jaikishan emplyed the principles of harmony while retaining classical and folk flavor. Reputed names in the domain of Indian classical music like Pt. Ravishankar, Ustad Vilayat Khan, Ustad Ali Akbar Khan and Pt. Ramnarayan have also composed music for films. Independent pop acts such as Asha Bhosle, Alisha Chinai, Shaan, Sonu Nigam, Sukhwinder Singh, KK, Kunal Ganjawala, Sunidhi Chauhan, Alka Yagnik, Shreya Ghoshal and rock bands like Indus Creed, Indian Ocean, and Euphoria exist and have gained mass appeal with the advent of cable music television.